June 19, 2008
January 11, 2008
Yesterday I saw the exhibit at the National Portrait Gallery in DC called “Legacy: Spain and the United States in the Age of Independence, 1763-1848.” It goes through 2/10. It is very well done, includes some maps and the original copies of the Treaty of Guadalupe-Hidalgo, which ended the US-Mexican War in 1848. There’s also the oldest known map of San Francisco Bay, which was interesting to see. More details are available on line at the press release. All in all, a well spent hour….
May 12, 2007
The first comprehensive survey of Edward Hopper’s career to be seen in American museums outside New York in more than 25 years is coming.
[Edward Hopper, Gas, Museum of Modern Art, New York]
In fact it just started in Boston. Here are all the dates: Museum of Fine Arts, Boston, May 6–August 19, 2007; National Gallery of Art, Washington, September 16, 2007–January 21, 2008; The Art Institute of Chicago, February 16–May 11, 2008.
The exhibit website states:
Edward Hopper was one of the foremost American realists of the twentieth century. In etchings, watercolors, and oil paintings, he portrayed ordinary places–drugstores, apartment houses, and small towns. Both commonplace and mysterious, these haunting images led many to praise him as the most American of painters.
Hopper’s career blossomed during the 1920s, when critics were calling for a distinctly American art. By the 1930s he was hailed as one of the great American Scene painters, along with Grant Wood and Thomas Hart Benton. Hopper insisted, however, that his work was primarily an expression of his personal feelings rather than an attempt to portray a national experience.
Hopper was born in Nyack, New York. As a child he enjoyed the solitary pleasures of reading and drawing. After high school, he studied illustration and then fine arts, attending the New York School of Art from 1903 to 1906. His teachers there were Kenneth Hayes Miller, William Merritt Chase, and Robert Henri, the latter a realist painter who urged students to depict all aspects of urban life. Early in his career, Hopper had to rely on the sale of his etchings and illustrations for income. But at age forty-two, he achieved success with an exhibition of watercolors portraying New England towns and was able to devote the rest of his career to painting.
Hopper established early the style and subject matter that brought him fame. He enjoyed exploring New England by car, and his paintings of motels, gas stations, and hotel lobbies evoked the moods and places of a tourist’s experience. Frequently he painted people alone or isolated from one another in introspective scenes that seemed to find modern life bleak and lonely. Sunlight also fascinated Hopper, and he used it masterfully to set mood. An avid theatergoer, he often created a suspenseful silence in his paintings, as if the curtain had just risen on a drama.
For more info, go here.